Walk the Blue Fields is a new book of short stories by Irish writer Claire Keegan. All but one of the seven stories is set in rural Ireland. 
In the title story, a priest marries a young couple and throughout the celebrations he is haunted by the memories of a love affair and the choice he made. When everything begins to close in on him, he leaves the party to walk.
Reflecting on the perennial question, “Where is God?” he discovers “tonight God is answering back. All around the air is sharp with the tang of wild currant bushes. A lamb climbs out of a deep sleep and walks across the blue field. Overhead, the stars have rolled into place. God is nature.”
A mermaid is rising in the desert. 
When complete, she will stand 25 feet tall. Through an entrance at the front of her hips one can access her interior and climb on top of her. Her scales are cut from colorful 55-gallon steel drums. Blue and green lights glow from within.
Designed by Lisa Nigro, Dahud-Ahes the Mermaid is an interactive installation in process.
A Breton princess, Dahut was the daughter of Gradlon, a king, and the sorceress Malgven. Gradlon built the beautiful city of Ys for his daughter, because Dahut loved the sea. Ys was also known as Ker-Ys in the Breton tongue.
King Gradlon was a christian, his daughter Dahut was a pagan like her mother. The king’s advisor was a monk, St. Guenole. He whispered against Dahut, and predicted her way of life would bring the downfall of the city. 
Dahut was seduced by a demon or a fairy, who took the form of a beautiful young man. As proof of her love, he asked her to open the seagate at night to let him in. She stole the key while her father slept, opened the gates, and the sea flooded in, drowning most of the people of Ys.
King Gradlon and St. Guenole were among the survivors. The king would have saved his daughter, but Guenole urged him to throw Dahut into the water. Afraid for his life, he did. The water immediately receded, but the entire city was submerged and became part of the Bay of Dourarnenez. The legend said Dahut did not die, but was transformed into a mermaid. 
Dahud-Ahes was probably the daughter of 6th c. king of Kernev, or Cornwall, with branches in Wales and Brittany. Dahud was undoubtedly a druidess adhering to the old religion, and a force against St. Gwennole (St. Guenole) who wanted to convert the entire region to Christianity.
There are many Celtic legends about lost cities. Perhaps they have their inspiration from the tale of Atlantis. Most likely the reworking of the legend of Ys by christian scribes and missionaries was to link it to Sodom and Gomorrah–what disasters can befall a town with a pagan influence and practices.
King Gradlon rode on to the city of Quimper and established it as his new capital. On the cathedral is a figure of him on his horse, looking back toward the sea at Ys. 
The Dextera Dei, the Right Hand of God, is portrayed on the north face of Muiredach’s Cross, the largests of the stone “high crosses” at Monasterboice in Co. Louth, just north of Dublin. The Hand of God is shown resting on a round carved disk; underneath it two snakes intertwine three human heads.
The monastery was founded around 520 A.D. The cross was carved in the 10th century, and is dedicated to an abbot of Monasterboice, Muiredach mac Domhaill. His death is recorded in 923 A.D.
I was in the presence of the cross on a cold, bright spring morning. The ground was still wet with dew. I remained standing by the Right Hand of God long after the other members of my group moved away. I studied, and looked, and counted, but I couldn’t crack its mystery.
Since I returned home, I have not been able to find any discussion of the iconography of this part of the cross. Are the roots of the artwork in the ancient Irish symbols for the sun, victory and divinity? The Old Testament? The New Testament? All three? The images portrayed have their roots in both traditions: Life, Death, Kingship, Victory, Divinity. Snakes could symbolize the ancient native religion, Satan or fallen angels.
The location of the cross was in an ancient grove had its own meaning. That gently sloping knoll served as a sacred place to the local people well before the arrival of Christian missionaries and monks.
There are referrences to ”right hand of God” throughout the Bible. As the messiah, Jesus is supposed to be seated at the Right Hand of God.
But the cross of Muiredach pays as much attention to David as it does Jesus, so I think the origin for the symbols come from one of his stories or psalms.
In my first attempt as a Biblical art detective, I propose the inspiration for the carving comes from Psalm 109. It begins: “The Lord said to my Lord: Sit thou at might right hand: Until I make thy enemies thy footstool.”
A new movie starring my favorite comic character, Hellboy, is currently playing in theaters across the U.S. Hellboy and the Golden Army, directed by Guillermo Del Toro, has the same kind of fantastic monsters as Pan’s Labyrinth. There is also the same clash of realities - Christian and pagan.
How can I not love Hellboy,? He’s such a contradiction - a demon who wears a wrist rosary. Kind, brave, implusive, born a demon but raised a man, he is loyal to his friends and his mission. He make messes and gets in fights, but picks himself up and keeps at it.
In Golden Army, Hellboy comes up against Prince Nuada, an elf prince who wants to destroy mankind for making such a mess of the earth and laying waste to the environment. One of the creatures Nuada summons as a tool of destruction is an Elemental. This green force of nature terrorizes and tries to destroy a neighborhood, but after a terrible inner struggle, Hellboy finally kills it. As it dies, its blood and body blanket the streets and buildings with beautiful flowers and vegetation. Instead of cowering, the people and their other-worldly protectors walk among the flowers, enchanted. 
Hellboy finally succeeds in overcoming Prince Nuada, but at the cost of realizing his own mission also relies on death and destruction. He walks away from it, deciding to live for the joy of living, not following orders to destroy things that are different. 
The film is an entertaining fable of good and evil. But it also can be seen as a darker allegory of the struggle between Christianity and paganism, a spirituality rooted in nature. Nature has some fearsome ways to retaliate, if humanity hurts it too much or tries to dominate at its expense.
Christianity has a lot to learn about life, nature and natural law from paganism. Chiefly, don’t try to kill things you don’t understand or are afraid of. Much to our surprise, there may be flowers in the blood and body.
Catholics are prominently featured in a new Sierra Club book, Faith in Action: Communities of Faith Bring Hope for the Planet. The book highlights faith-led environmental action in each of the 50 states plus Puerto Rico and Washington, DC. 
Don Conklin and Ellen Buelow, members of Holy Rosary Parish in Albuquerque, NM, helped engineer a light-bulb swap–incandescent bulbs for energy-saving compact flurorescent bulbs. Before the program was over, 3,000 bulbs changed hands.
“We did this as a Lenten project,” said Conklin, a pastoral associate at the 2,700-household parish. “And it didn’t cost us a thing. It was sponsored by the Sierra Club and PNM,” the electric company serving the Albuquerque area.
The bulbs were distributed during an annual parish awareness weekend. “We’re planning our next awareness weekend and we’re coming up with the theme of helping families,” Buelow told Catholic News Service. “We’d like to get the concept of simple living in there. Economize and save the environment.”
The Faith in Action book also included these Catholic-led initiatives:
- In Colorado, Bishops Michael J. Sheridan of Colorado Springs and Arthur N. Tafoya of Pueblo called for a unified response after sewerage spills threatened Fountain Creek, which runs through their communities. The bishops’ statement had a “significant impact” said Ross Vincent, vice chair of the Sangre de Cristo group of Sierra’s Rocky Mountain chapter. “People who wanted to believe things were OK with Fountain Creek began to pay attention and realize something needed to be done. The bishops’ statement came at a critical time and it was deeply appreciated.”
- In New Orleans, members of Mary, Queen of Vietnam Catholic Church and their pastor, Father Vien The Nguyen, were able to halt post-Hurricane Katrina operations at a landfill that was not only close to their neighborhood, but was adajacent to a protected wildlife sanctuary. More than 200,000 cubic yards of waste from Katrina had been dumped in the landfill, which still leaks toxins into a canal used by the Vietnamese community for irrigation and fishing.
- The Michigan Catholic Rural Life Coalition used the National Catholic Rural Life Conference’s “Eating Is A Moral Act” program to demonstrate the many ethical implications of consumers’ food purchases. The coalition also educates the public about the need to promote stewardship of the land and promotes a sustainable food system that nourishes people, local communities and the earth.
- In response to the U.S. Catholic bishops’ call for action on global warming, the Archdiocese of St. Paul and Minneapolis co-sponsored, “Global Warming: A Catholic Perspective.” One thousand people from 95 parishes attended the event to address the effects of global warming on the environment and the world’s poor communities.
Several parishes have now established their own “global warming action teams.” One of them, St. Joan of Arc in Minneapolis, launched a Green Power Campaign to encourage parishioners to purchase wind-generated energy.
-In Caguas, Puerto Rico, Father Pedro Ortiz and the Catholic parish of Nuesta Senora de la Providencia formed the Alianza Comunitaria y Ambiental en Accion Solidaria (Community and Environmental Alliance in Solidarity) in April 2007. The parish sets aside portions of its liturgical calendar for reflection on relevant social issues. Now, 100 community organizations, nonprofits, churches and universities from across the island with common concern for the environment have joined the alliance.
Mark Davis, a professor of history at the University of California, Irvine, is a self-described Marxist environmentalist. His work has stirred both controversy and acclaim. 
His 2006 book, Planet of Slums, examines the current state of global cities, using a recent U.N. habitat report, The Challenge of Slums, as its starting point. 
“By the report’s conservative accounting,” Davis explains, “a billion people currently live in slums and more than a billion people are informal workers, struggling for survival…the entire future growth of humanity will occur in cities, overwhelmingly poor cities, and the majority of it in slums.”
According to Davis, progressive urban planners advocate “hazard zoning” to exclude development and population from dangerous floodplains, swamps, unstable hillsides, fire-prone brush lands, and liquefaction zones.
“Capitalist urbanization in the Third World works exactly by the opposite principle: concentrating huge densities of poor, vulnerable people in the most unstable and hazardous sites.”
Nevertheless, he sees cities as the solution to the global environmental crisis: “Urban density can translate into great efficiencies in land, energy and resource use, whlie democratic public spaces and cultural institutions likewise provide qualitatively higher standards of enjoyment than individualized consumption and commodified leisure.”
David has often criticized well-to-do environmentalists for ignoring the problems of working people. To that end, he argues that activists should link every environmental demand to a specific proposal that improves quality of life in working class areas, whether this be higher employment or more park space.
The Celtic Wheel of the Year is a book of new and original prayers by Tess Ward and published by O Books. It intertwines the two strands of Celtic Christian and Celtic pre-Christian traditions in a single pattern of prayer. 
Tess Ward was a psychiatric nurse and is now an Anglican priest and spiritual director and counselor. She has been a chaplain at an arts center, alternative worship leader, leads retreats and spirituality groups, and has been “road testing” her prayers for eight years. She lives in Oxford, England, where she is now a hospital chaplain.
Celtic Christians valued the natural environment for its own sake. They valued times of quiet in solitary and often wild places, where they could read Scripture, meditate and pray.
Because they lived close to the natural environment, it is not surprising that Celtic Christians discovered the immanence of God. Their poetry often echoes those Psalms which speak of God in nature (Ps. 19, 89, 98) suggesting a similar spiritual process at work.
The following extract of a poem in the Celtic psaltery is attributed to St. Columba in Iona:
“Delightful it is to stand on the peak of a rock, in the bosom of the isle, gazing on the face of the sea.
I hear the heaving waves chanting a tune to God in heaven; I see their glittering surf.
I see the golden beaches, their sands sparkling; I hear the joyous shrieks of the swooping gulls.
I hear the waves breaking, crashing on the rocks, like thunder in heaven. I see the mighty whales…
Contrition fills my heart as I hear the sea; it chants my sins, sins too numerous to confess.
Let me bless almighty God, whose power extends over the sea and land, whose angels watch over all.
Let me study sacred books to calm my soul; I pray for peace, kneeling at heaven’s gates.
Let me do my daily work, gathering seaweed, catching fish, giving food to the poor.”
Saint Erasmus has long been associated with the natural phenomenon known as “St. Elmo’s Fire,” a bluish glow of light generated by the electrical field of thunderstorms, and frequently observed on the masts and riggings of ships (and in modern times - aircraft.)
The mariners of Naples were the first to see this light as the outward sign of the intercessory protection of Saint Erasmus, and hence the name, “Saint Elmo’s Fire,” Elmo being a shortened, derivative version of the name Erasmus.
Saint Erasmus was a bishop of Formiae, Italy, who met a particularly grusome end during the persecutions of Emperor Diocletian. He was martryred by being disembowelled about 303.
The manner of his death led to him being named the patron saint of sailors. According to The Golden Legend, his stomach was slit open and his intestines wound around a windlass. This legend may have developed from an icon that showed him with a windlass, signifying his patronage of sailors.
It’s ironic how death and its artistic rendering combined to make a saint.
John O’Donohue was an Irish poet, author, and Catholic scholar who lived in the solitude of a cottage in the west of Ireland and spoke Gaelic as his daily language. His acclaimed writings reveal an original thinker rooted in a blend of Irish heritage, German philosophy, Celtic Christianity, and an intimate relationship with the ancient, wild and luminous landscape of his home.
O’Donohue is the author of several books, including international bestsellers Anam Cara (Soul Friend) and Eternal Echoes, as well as two collections of poetry, Conamara Blues and Echoes of Memory. He also wrote a series of monogaphs: Stone as the Tabernacle of Memory; Fire as Home at the Hearth of the Spirit; Air as the Breath of God; and Water as the Tears of the Earth.
“Celtic sensibility and the Celtic imagination looked on nature not as ’stuff’ or ‘location’ or ‘matter,’” said O’Donohue, “but nature was the theatre of a variety and diversity of divine presences. One of the great cankers and severances of western tradition has been dualism, which separated mind from body, self from spirit, person from God and nature from the whole lot! The Celts, in some strange way, managed to preclude that kind of fissure/opening which would lead to dualism, and were able to think in a unitive consciousness and think of all these things together.”
His poem Beannacht (”Blessing”) is a beautiful prayer.
